Everyday Art

For many years it has been my goal to create art & music on a daily basis. To be honest, this is quite hard to attain. It is but a dream given the realities of life. There are signs though that it is possible. I’d like to share an idea of how it can be done – how you can possibly not run out of ideas.

Everyday our mind is filled with thoughts, emotions, and memories, both positive and negative. In a moment-to-moment basis these thoughts continually evolve just like how clouds in the sky continually change. Can art and music be perceived as objects or “clouds” of creativity? The blank canvas is the sky and the ever changing clouds are your potential pieces of art.

What if I could somehow take these clouds, harness them, and create a corresponding piece of art. Those creative impulses will relate to my day, to my life. I know that they will be unique because every day is different. The music or the art will have the “essence” of that particular day embedded in it.

Art as a Practice

So what I present here is somewhat of a different form of art, because there is no aim of creating a “hit” or creating a masterpiece. The aim is simply to transform raw energy, raw creative impulse, to a tangible or audible thing.

In this way, the creating becomes a practice, and thus is integrated in the person’s life. The creation becomes a mirror of life rather than a novelty which is meant to purely excite the senses.

Artimer JA
Thought Object: Systemic Pain, 2020
Colored Pencil and Pen on sketchbook paper

I’d like to encourage anyone who stumbles into this blog post to take a look at this short clip about the electronic music composer Steve Roach to see how he approaches music. https://www.youtube.com/watch?v=abd5LUyH0us

Brick by Brick

Allowing your creativity to flow in short bursts rather than long winding blocks of time can be productive as well. I battle with the notion of needing a good solid amount of time before I start making something.. But based on how life works, I’m beginning to learn that part of the challenge is learning how you can weave in and out of creating. How can you do this if the creative flow requires focused attention for a period of time? What is the minimum viable amount of time? These are just some questions that come to mind as I think about the problem.

I realize that it’s the small steps that make a big difference. Make a little snippet once a day rather than making one big project once every 4 months. Your energy will be depleted by the end of the day and the exhaustion will just make you feel burnt out.

Building something brick by brick will allow you to keep moving forward no matter how slow. Long term projects requiring multiple outputs is more feasible by breaking down the required tasks into digestible chunks. It’s something so simple yet hard to do. Also, I’m not claiming to be an expert regarding this; I am simply becoming more conscious of it’s effectiveness as a principle in being productive.

Groovebox as a bricklaying tool

The groovebox classification of sequencers / synthesizers is I find, the most efficient tool I have at the moment. It allows me to make a pattern which represents an idea encapsulated in a maximum of 4 bars or 64 steps. Within these 64 steps I have the option to use 1 – 16 different sounds and create both simple and complex patterns in the process. Here is an example of such a piece created with a groove box (Korg Electribe 2)

Recording music this way has allowed me to create in a fast, and engaging way. After making music with a traditional DAW for some time now, I find it very inspiring.

I used to think that the machine was very limiting because I could not go back and tweak the sounds, or change the levels once I had recorded its output. However, this limitation is what is liberating. I have to trust my ears and decide on the spot on the sounds that I use, as well as the volume of each element. By making those decisions swiftly I am able to focus on the MUSIC and I’m able to record it right away.

This workflow/approach is only the tip of the iceberg as it can open up so many possibilities for projects I’d like to do and have been planning to do. Given the busy schedule that life gives us, the ability to make something fast in a very spontaneous way is inspiring.

One of my dreams is to be able to keep creating music and art no matter what my circumstances may be. This is definitely a step forward.

Creativity with Scarcity

The past few days have forced me to milk the little time that I have for art. I decided to challenge myself and see how long it would take me from zero to full fledged piece of art, ready to be shared to world.

To share a song in the internet world, the very basic things you need would be the audio master, and cover art to go with it. I took out my iPhone, pressed the start button, and proceeded to go to my Korg Electribe to start making a track. I wanted to time it to see how long it actually takes.

Composing

I wanted to see what an Electribe can do for rock grooves or “rock idioms” as I would call it. So immediately I was up and running with some basic rock drums. I quickly selected a kick and snare and set the tempo to 170. Immediately I was off and running! Some punky rhythm to start with.

After that I decided to do a bass line, taking a bass sound from one of the samples found in the Electribe. (Here was another challenge, I would confine myself to the sounds of the Electribe and will only customize it when I finish the first batch of 250 patterns) I did not want to get bogged down by the act of endlessly looking for the best damn bass sound. I needed to decide right there and then, and decide quickly. Moment I found it I switched on the keyboard mode and start making basic melodies.

Korg Electribe Sampler – A standalone groovebox

Next up I went for the lead riff and was going for some guitar sounds but got derailed and I ended up picking this weird sounding synth. Ok, I’ll accept it, it sounds alright to me. Whats important is I was moving forward and I was still liking the track somehow and grooving to it.

On and on I put one layer after the other until I went for this vocal chop “go”. This was when I thought “ok its time to dial back and go for the break down of the track. Lets bring this baby home.” I sequenced an alternative pattern to serve as the “B” section and ended the composing there.

Recording

So with that, I had the elements I needed to make an arrangement that I could perform and record with the Zoom H1. I will take the stereo out of the Electribe and plug this to the line-in of the Zoom H1. I recorded the whole thing in one take, trusting my gut, trusting that my intentions will bring me to the end result – a finished track that sums up my day.

I hit record and press play on my Electribe. Im up and running at 170 bpm. A pretty frantic pace for some electronic “rock” music. I start going through the patterns and went for some improvised pitch shifts and drums. Some off timing some choked by the note stealing limitation of the sampler. Still I push on, and go into the next pattern of the song and I finally arrive at the GO part which I know will lead me to the “turn around” of the song.

At this point, I’m not thinking of much – I’m just focused on the music and what will happen next. I know that the record button is on and everything is getting captured. With this in mind, I also try to stay in the spirit of the music and just keep on going. I try not to get derailed by imperfections, and get bogged down by mistakes.

And finally I find myself “heading home”. I’m now in the patterns that will bring me back to the beginning of my track, to end the instrumental. This is electronic music.. but with a human element. Live arranging, live jamming, “DAWLESS” so to speak. Just me and the machine.

The final sequences of the drums come in and all is well. A mistake here and there but its okay. I hit the stop button, and boom another track made. I looked at the time and I had just spent 45 minutes. Not bad! This is a song from scratch!

Mastering

I proceed to fire up my laptop and open up Ableton Live. I transfer the track from the H1 via usb and proceed to setting up my mastering session. I had recently built my little humble mastering chain (which I can talk about in the future) and start fiddling with parameters. I also do some gain staging to make sure that the plug-ins are all in the sweet spot. Another 30 minutes go by and I finally finish the track! Ready for uploading, ready (or not) for sharing.

Cover Art

I feel the slight fatigue but I push on. I open up GIMP and start working on the artwork. I wanted to keep it simple. I saw a crack on my bedroom wall and decided right there and then that it could be part of the artwork. I took a picture with my trusty X-A10 and upload the picture to my laptop. With GIMP I proceed to make the artwork and since I’m such a beginner with the software I ended up spending a RIDICULOUS amount of time trouble shooting! It was not a very pleasant experience but I finally figured it out.. So many errors but it’s okay – I learned.

Spontaneous usage of details in your environment

Conclusion

So the total time I spend to make this project was 2 hours and 46 minutes. Not bad if you think about it. For sure this can still be streamlined and fine-tuned. It was just great knowing that I could come up something complete in that time-span.

I wanted to include the uploading to the platforms in the process but it was simply too late. I did not want to end up sleeping at 5am.

Overall it was a well spent 2 hours and 46 minutes. It will not go to waste as long as I upload it and share it as well. It’s interesting to know that if I have a 3 hour time block, I can come up with something. On a side note, the best place for your music is a place where someone can discover it and listen to it. No way will it ever be heard in your hard drive.

So here it is, a quick rock based electronic music jam. I would say its like an encapsulated record of my day presented in a sequence of sounds. Let me know what you guys think.

Learning by Taking the Plunge

Realized this for myself: Taking the plunge, taking immediate action, and beginning to work on your idea is one of the best things you can do for yourself. It simply propels you forward and have something at hand. The beauty of publishing something (or posting) is that it forces you to make the necessary creative decisions so you can come up with something.

The work may not be perfect, but I realized that perfection can be the enemy. Judging your work, trying to find out if its good or bad, leads to the death of the work. A creation never seeing the light of day is painful. How many hard drives of unfinished work, untapped potential, do you have?

This can apply to projects, to music, to art, and to life in general. Perfectionism makes you focus on the outcome too much. What I nurture for myself is an attitude of appreciating the process.

A tip I got from a creative person, Matt Farley, is that he just kept going and going, creating song after song. Perfectionism did not stop him. Even if he thought it wasn’t the best, he just proceeded to upload because he could always upload again; he can always write a better song and publish that. He knew that the album/song that was just posted was not the last!

Here’s a recent work I did by just taking the plunge:

Cover art is fun to do, and it allows you to put a number of elements together. I used two photos I took of cityscapes, a free-to-use stock photo, and some lettering. This was done through an open-source software called GIMP. What came out was a completely new work which was miles away from the original source material. It was just the creative use of layering, and effects. The process of going through each step became part discovery, part exploration, part experimentation.. the process itself generated pleasure.

Small developments like these make the process of learning, creating, and executing ideas fun. Makes you want to keep doing it again and again.

I hope that we can always find the strength to move forward with our projects and take the plunge.

Artimer